Birdcage Walk is a popular path through Nunsmoor Park in Fenham. It is a tarmac path laid out through an avenue of trees. The path is bordered on either side by iron railings. At intervals along the path the lines of railings are broken by wrought iron pillars supporting ornate iron archways, which have copper lanterns in the centre.

An attractive row of Victorian terraced houses, built incrementally. A plaque commemorating artist Ralph Hedley is located on No. 19, the house he lived in until his death in 1913. One of his most famous paintings features a cat sitting in the window of one of the houses. Another shows a nervous miner left tending to his baby daughter - "Geordie ha' ad the Bairn". This row of four storey terraces is picturesque, partly due to its variety of facades - some painted, some rendered, some brick – and their attractive front gardens complete with hedges and trees. Belle Grove Terrace was home to T Dan Smith, leader of Newcastle City Council 1960-65. Strikingly open to the moor. The east end is framed by trees. The terrace is painted in a mellow mix of colours, mostly light pink, blue and white or cream. One house is bright yellow. Grand two and three storey brick houses with strong rhythmic verticality enhanced by various quality embellishments such as bays and traditional dormers. Regular rear offshots in brick are well intact.

Built around 1875 by Sanderson's Haymarket Brewery. It replaced the Mill House pub. A new doorway into Ancrum Street was built in 1888. A rear extension was added in 1900. In 1923 Newcastle Breweries incorporated the adjoining terraced house into the pub. No 19 Belle Grove Terrace was the home of renowned regional artist, realist painter, woodcarver and illustrator Ralph Hedley (1848-1913) between 1885 and 1913. In 1934 there was more remodelling.

The Trent House is a popular traditional pub located in the city centre of Newcastle. Joseph Cox bought the pub in 1861 and the family ran it until 1928 (when the son, James Cox left). Joseph Cox was friends with leading Newcastle Chartists. In 1900 the lamp from the entrance to the Chartists meeting house in Nelson Street was moved to outside the Trent House. A small bar with snug behind. The building was then altered and enlarged in the 1930s, and became the property of Newcastle Breweries in 1950. In the 1980s the exterior was painted black and white. This attractive two storey building is constructed from brick, with timber framed windows, and a slated roof.

The space of Wilson’s Court is an important reminder of Newcastle’s social past and is a testament to the time in which courts and yards were commonplace in the city centre, a building trend which has long fallen from favour. The city’s yards and courts were important social spaces. Wilson's Court is perhaps the only complete survivor of the warren of yards and courts which once filled this part of the town. Under No. 35 Groat Market (HER 8804) there is a 17th century rubbed brick arch showing part of an earlier house within the latter.

The Duke of Wellington public house is a three storey building constructed on the west side Carliol Square in the early 19th century in red brick with sash windows, and remodelled in the 1930s with the addition of an Art Deco stone and moulded ceramic tile cladding frontage. It underwent several name changes in the late 20th century including Astros in the mid 1980s, Wilders in the 1990s, Enigma in the 2000s, and finally Wilders Bar. A cart way is still open on the ground floor.
Historic building recording was undertaken in 2020 prior to proposed demolition (Event 5082 Report 2020/51).

The Studio has a rich history and is an integral part of the surviving St. Thomas' Estate. This small rectangular brick building is believed to have been built by the pre-Raphaelite artist William Bell-Scott as an artist’s studio whilst living at 14 St. Thomas Street between 1857 and 1864. Since 1977 it has been sub-leased as a community centre for the tenants association, which is currently named the St Thomas’ and Leazes Community Association.

This peaceful conservatory is a place for hospital patients, staff and visitors to visit to enjoy a green environment away from the wards. Constructed in 1907, possibly by the architects W.L. Newcombe and H. Percy Adams who built the rest of the hospital, the conservatory combines stone walls supporting a metal and glass conservatory construction, which has been restored. Restoration and the construction of an access ramp was carried out in 1996. The interior has a red tiled floor which contrasts with the greenery of the plants grown there.
This building was formerly on the Newcastle local list, but was recorded in 2009 ahead of demolition.

The residents of this area of Newcastle view Summerhill Square as a green oasis of tranquillity in the busy city. The park is overlooked by a terrace of houses, the residents of which enjoy the park’s neat simplicity. Today the park is used by local people as a children’s play area and is adjacent to a bowling green. The park is surrounded on four sides by iron railings, with the entrances at the north east and south west corners marked by pairs of stone pillars, which previously supported iron gates. There is some perimeter planting, of laurel and lilac and the quiet spot also supports wildlife. The area of the square was owned by the Davel family. In 1556 they sold it to Anthony Swinburn, whose family sold it in 1769 to George Anderson. In the 18th century Joseph Barber, a bookseller at Amen Corner, built himself a house roughly where St. Matthew's Church now is. He called it Summerhill after the village where he was born, near Dublin. The house was burnt down in 1773. A replacement house was also called Summerhill. Shortly after, the area started to build up, starting with Summerhill Terrace, and finishing with Winchester Terrace (1850). The central area remained open because of restrictive covenants on the land. In the 1960s a motorway was proposed which would require the demolition of part of the square. The Greenfield Place Preservation Society was formed in 1963 to oppose this which later became the Summerhill Square Society.

Stowell Street was originally built in the 1820s as a street of townhouses, but is now famous for its nightlife and as the heart of Chinatown. The Stage Door nightclub has been a fixture in the city’s nightlife for decades. The four storey building is unusual in appearance due to the decorative stonework on the façade which separates the bays and decorates the horizontal divisions. The rectilinear patterns on horizontal bands between floors also have circular motifs.